Πέμπτη 9 Σεπτεμβρίου 2010

Collapse

Είδος: Ντοκιμαντέρ
Γλώσσα: Αγγλικά
Υπότιτλοι: Ελληνικά
Χρονολογία: 2009 , USA
Σκηνοθεσία: Chris Smith
Διάρκεια: 80'














http://www.imdb.com/title/tt1503769/


Whether Michael Ruppert is a madman or a prophet, I do not know. What I do know is that all of his suppositions are based on the hardest and most chilling of facts. You will recall your teachings on Cassandra and the famous Cassandra Complex, whereby a person who bears valid warnings and terrible foresight is doomed to watch it happen. They are helpless to stop it because no one will listen to them. Meet Cassandra.

Collapse is an amazing documentary that works on several levels. We'll start with the first: Ruppert's analysis of the world around us is stunningly bleak. Our entire civilization is based on oil. This is fact. All transportation requires oil in some form. All manufacturing (and civilization as we know it) is based on energy, which is finite, and requires some oil in some form. Building the resources to harvest ANY energy source requires manufacturing and transportation, which requires oil. Cultivating food requires energy to produce and transportation to get to your grocery store or home. Even if we discover some new energy source - algae, for example, which is not addressed in the film - all the components needed to harvest or utilize that energy are oil-based. Even if we invent cars without tires (which require 8+ barrels of oil to make, PER TIRE), the plastics and metals and components in those vehicles all require oil as either a direct ingredient or as an indirect part of the manufacturing.

Now imagine a world without oil. See where this is going?

This film, and Ruppert, go much further than that. Oil dependency is just the appetizer. Then we get to Peak Oil (or the Hubbert Peak). Then an economy based on floated, imaginary, (fiat) money. And so on. Ruppert builds his case with hysterically grim anecdotes and considerable authenticity. It's difficult to disagree with him precisely because he doesn't allow 'theory' or partisan/ideological opinion to seep into the discussion. The facts are accurate. The conclusions... are up to you.

Let's talk about the film-making itself: Chris Smith's film is shot 'bunker-style' for effect. It works. There are hardly any miscues in the technical aspects, and the editing style is absolutely riveting and never boring. As pure entertainment, if we can call it that, this film will absolutely command your attention for 80 minutes. The film does not subscribe - one way or another - to Ruppert. It just shows him as he is and allows you to draw your own conclusions. Right or wrong, Ruppert's quest to seek this knowledge and tell it to the world has subtly destroyed him. Collapse works on an intensely personal level, too. This film burns itself into the mind. It's point blank brilliant.

Others have noted a major flaw in Ruppert's arguments, including the filmmaker himself: Ruppert does not allow for miracles or human ingenuity in his apocalyptic scenarios. Ruppert has already decided we've passed the point of no return and is now looking to "build the lifeboat on the Titanic". When confronted about this directly, Ruppert's non-answer more or less says that he won't trust his fellow humans to think a way out of this. Ruppert has so expertly identified the problems, but he has no answers. All his "hope" is directed at ways to survive what's to come. Again, right or wrong, this man absolutely believes what he's saying and is absolutely terrified. You should be, too.

What's the way out? Well, I personally choose to believe the first part of Ruppert's argument and disregard the second. We are in trouble. But I choose to have faith in my fellow man, that we can "fix the Titanic" before it's too late. In the meantime, you must see this film. See it, soak it in, let it shake you, and tell your friends. Draw your own conclusions. Ruppert's role is to sound the warning. Perhaps if enough people see this film, someone out there will figure out what to do. 


Author: Savant-2 from United States






Πέμπτη 12 Αυγούστου 2010

Ο Άνθρωπος που Ενόχλησε το Σύμπαν

Είδος: Ντοκιμαντέρ
Γλώσσα: Ελληνικά
Υπότιτλοι: Ελληνικά
Χρονολογία: 2000, GR
Σκηνοθεσία: Σταύρος Ψυλλάκης
Διάρκεια: 52'




 
Ψυχιατρείο Χανίων. Μια ομάδα ασθενών μας φιλοξενεί στην «Εκκλησία του Δήμου», το χώρο που καθημερινά συναλλάσσονται και συνομιλούν, εκεί που άλλος ζητάει κατοστάρικο κι άλλος ζητάει λόγο. Το χώρο που καθημερινά διαχειρίζονται την ομορφιά τους και τη σχέση τους καλά. Μια άλλη ομάδα, πρώην χρόνιων, ασθενών, εκτός Ψυχιατρείου πλέον, βιώνει μια επίπονη διαδικασία κοινωνικής επανένταξης και αποτολμά, στο πλαίσιο διεθνών ανταλλαγών, ένα εβδομαδιαίο ταξίδι στη Δανία. Η ταινία, μέσα από τον παράλληλο λογο των δυο ομάδων, προσπαθεί ν' ακούσει το λόγο της τρέλας, κάτω από το χαώδες παραλήρημά της, κρούστα μιας βαθιάς θάλασσας. Προσπαθεί να δει τη δραματική σύγκρουση του ανθρώπου με την τρέλα, στη βαθύτατη απόγνωση και απόλυτη αμφιβολία για κάθε όψη του είναι που εμπεριέχει.
«Αν τη ζωή μας κυκλώνει ο θάνατος, τη διανοητική μας υγεία γυροφέρνει η παραφροσύνη».
Στην τρέλα ο άνθρωπος νοιώθει πώς δεν έχει να επιστρέψει πουθενά. Δεν είναι πια. Ήταν.





Παρασκευή 30 Ιουλίου 2010

Der Lauf der Dinge (The Way Things Go)

Είδος: Ντοκιμαντέρ
Γλώσσα: -
Υπότιτλοι: -
Χρονολογία: 1987 ,Swiss
Σκηνοθεσία: Peter Fischli, David Weiss
Διάρκεια: 43'




http://en.wikipedia.org/wiki/The_Way_Things_Go
From Wikipedia, the free encyclopedia
 The Way Things Go (German: Der Lauf der Dinge) is a 1987 art film by the Swiss artist duo Peter Fischli and David Weiss. It documents a long causal chain assembled of everyday objects, resembling a Rube Goldberg machine.
The machine is in a warehouse, about 100 feet long, and incorporates materials such as tires, trash bags, ladders, soap, oil drums, and gasoline. Fire and pyrotechnics are used as chemical triggers. The film is nearly 29 minutes, 45 seconds long, but some of that is waiting for something to burn, or slowly slide down a ramp.
The film evolved out of work the artists did on their earlier photography series, "Quiet afternoon," (German: Stiller Nachmittag) of 1984-1985. As the delicately unstable assemblages they constructed for the photos were apt to almost immediately collapse, they decided that they wanted to make use of this energy.[1] The film may also have been inspired by the video work of fellow Swiss artist, Roman Signer. The artists undoubtably saw his video work which was exhibited at the Kunsthaus Zürich in 1981.[2] Signer's videos often document objects performing simple actions that are the result of physical phenomena
 









Τετάρτη 21 Ιουλίου 2010

The Pervert's Guide to Cinema

Είδος: Ντοκιμαντέρ
Γλώσσα: Αγγλικά
Υπότιτλοι: Spanish
Χρονολογία: 2006 ,US
Σκηνοθεσία: Sophie Fiennes
Διάρκεια: 150'

 http://www.imdb.com/title/tt0828154/ 


THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. THE PERVERT'S GUIDE TO CINEMA cuts its cloth from the very world of the movies it discusses; by shooting at original locations and from replica sets it creates the uncanny illusion that Zizek is speaking from 'within' the films themselves. Together the three parts construct a compelling dialectic of ideas. Described by The Times in London as 'the woman helming this Freudian inquest,' director Sophie Fiennes' collaboration with Slavoj Zizek illustrates the immediacy with which film and television can communicate complex ideas. Says Zizek: 'My big obsession is to make things clear. I can really explain a line of thought if I can somehow illustrate it in a scene from a film. THE PERVERT'S GUIDE TO CINEMA is really about what psychoanalysis can tell us about cinema.' Written by P Guide Ltd.

Famous movies are subject to Freudian analysis: Possessed, The Matrix, The Birds, Psycho, Vertigo, Duck Soup, Monkey Business, The Exorcist, The Testament of Dr Mabuse, Alien, Alien Resurrection, The Great Dictator, City Lights, The Tramp, Alice in Wonderland, The Wizard of Oz, Dr Strangelove, The Red Shoes, Fight Club, Dead of Night, The Conversation, Blue Velvet, Solaris, Stalker, Mulholland Drive, Lost Highway, Persona, In The Cut, Eyes Wide Shut, The Piano Teacher, Three Colours: Blue, Dogville, Frankenstein, The Ten Commandments, Saboteur, Rear Window, To Catch a Thief, North by Northwest, Star Wars, Dune, Kubanskie Kazaki, Ivan The Terrible, Pluto's Judgment Day (Walt Disney), Wild at Heart.



Πέμπτη 8 Ιουλίου 2010

Rebellion: The Litvinenko Case / Bunt. Delo Litvinenko




Είδος: Ντοκιμαντέρ
Γλώσσα: Ρωσικά
Υπότιτλοι: English
Χρονολογία: 2007 , Russia
Σκηνοθεσία: Andrei Nekrasov
Διάρκεια: 105'


http://www.imdb.com/title/tt1038914/

The secret war between Russian dissidents and FSB, the successor agency of the KGB, splashed into the worlds front pages last November when Alexander (Sasha) Litvinenko died in London poisoned by radioactive Polonium-210, which was slipped into his tea during a meeting with two visitors from Moscow. In his new documentary, Litvinenko's friend Andrei Nekrasov tells the story of the former FSB officer - from his initial rebellion against corruption in his agency, through his imprisonment and escape from Russia, to his crusade against his former employers to his eventual assassination. In a series of revealing interviews with the main protagonists of the Litvinenko case, including his friends, his alleged killers, his widow and Sasha himself, the film recreates a world of intrigue, high-stake politics, love, loyalty and betrayal, which is more intricate and breathtaking than any fiction could be. 

A fascinating piece, both in its contents and cinematic form. Editing is particularly strong, given the nature of the access which became impossible the moment the world started to pay attention. Nekrasov had been interested in Litvinenko before the latter's tragic fame but this film was apparently put together only after the poisoning. I've seen some other pics on the subject but none came anywhere near creating this unsettling sensation of being in the middle of it all. That is partly because of the director's on screen interaction with Litvinenko, which allowed me to identify with the narrator and made Litvinenko more credible (half of the Russians think he was a criminal, going by the official propaganda). I lived in Russia and Ukraine but somehow watching "Rebellion..." in Toronto really shocked, frightened and angered me forcing to redefine the term "corrution" in my mind. In some parts of the world corruption evidently means murder. "Rebellion" is structured like a novel, divided in chapters, and it masterfully controls various lines of the complex plot; but ultimately it is not a murder story and those who expect one might be disappointed. I admit I had myself wondered why a "Litvinenko movie" should be called "Rebellion", but having watched it I cannot think of a more appropriate title. 
Author: cinefan73 from Italy  



 

Τετάρτη 23 Ιουνίου 2010

Food Matters


Είδος: Ντοκιμαντέρ
Γλώσσα: English
Υπότιτλοι: Ελληνικά
Χρονολογία: 2008 , Australia
Σκηνοθεσία: James Colquhoun & Laurentine ten Bosch
"Let Thy Food Be Thy Medicine, And Thy Medicine Be Thy Food."
- Hippocrates
That is the message from the founding father of modern medicine echoed in this brave new documentary film brought to you by Producer-Directors James Colquhoun and Laurentine ten Bosch. 'Food Matters' is a hard hitting, fast paced look at our current state of health. Despite the billions of dollars of funding and research into new so-called cures we continue to suffer from a raft of chronic ills and every day maladies. Patching up an over-toxic and over-indulgent population with a host of toxic therapies and nutrient sparse foods is definitely not helping the situation. In a personal quest of discovery James & Laurentine together with a film crew and the editorial and production expertise of Enzo Tedeschi have set out on an independent mission to uncover the wholesome truth. The filmmakers have interviewed several world leaders in nutrition and natural healing who claim that not only are we harming our bodies with improper nutrition, but that the right kind of foods, supplements and detoxification can be used to treat chronic illnesses as fatal as terminally diagnosed cancer. 'Food Matters' seeks to uncover the business of disease and at the same time explore the safe, cheap and effective use of nutrition and supplementation for preventing and often reversing the underlying causative aspects of the illness. With the premise of the film being: access to solid information helps people invariably make better choices for their health. The 'Food Matters' duo have independently funded the film from start to finish in order to remain as unbiased as possible, delivering a clear and concise message to the world. Food Matters.

FOOD MATTERS [Greek subs] from ΕΛΛΗΝ ΑΝΔΡΟΜΕΔΙΟS on Vimeo.



Τρίτη 1 Ιουνίου 2010

Waiting List

Είδος: Ταινία
Γλώσσα: Spanish
Υπότιτλοι:
English
Χρονολογία: 2000, Cuba
Σκηνοθεσία: Juan Carlos Tabio
Διάρκεια: 102'




A desperate group of people wait at a run-down Cuban transit station for the next bus to arrive. The problem is, it never shows up. While a number of buses pass by the station, and others that are either full or at the end of the line stop by, it soon becomes obvious that the bus everyone was waiting for has left them high and dry. While one of the would-be passengers, Emilio, uses his downtime to win the affections of the beautiful Jacqueline, most of the rest decide that if they're stuck without anywhere to go, they might as well make the station a better place to wait, and they begin forming a plan to turn the decrepit bus terminal into a show-place that people would look forward to visiting.

It is a simple movie, pleasant and well directed. Fresh air: a collective dream where the characters give the best of themselves.You feel criticism and meanwhile deep hope in potentialities of Cuba society.




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