Παρασκευή 15 Απριλίου 2011

Inside (Μέσα)

Είδος: Taινία μικρού μήκους
Γλώσσα: English
Υπότιτλοι: Ελληνικά
Χρονολογία: 2002, US
Σκηνοθεσία: Trevor Sands
Διάρκεια: 5'


http://www.imdb.com/title/tt0298934/


`Inside is a riveting story about a man with multiple personalities whose incarceration in an asylum is up for review. This short shocking tale is deftly told, from expressionistic start to an astonishing denouement, with expressive acting and elegant camera work.' - T.Sands


Πέμπτη 14 Απριλίου 2011

The Wobblies



Είδος: Ντοκιμαντέρ
Γλώσσα: English
Υπότιτλοι: -
Χρονολογία: 1979 ,US
Σκηνοθεσία: Stewart Bird, Deborah Shaffer
Διάρκεια: 73'




IWW: Industrial Workers of the World 
http://www.imdb.com/title/tt0080142/


Και ένα κείμενο που αφορά και εμάς τους Έλληνες. 





Πέμπτη 7 Απριλίου 2011

Χρεοκρατία

Είδος: Ντοκιμαντέρ
Γλώσσα: Ελληνικά
Υπότιτλοι: Ελληνικά
Χρονολογία: 2011 ,GR
Σκηνοθεσία: -
Διάρκεια: 73'

Όταν η δημοκρατία υποτάχθηκε στο χρέος

Για πρώτη φορά στην Ελλάδα, ένα ντοκιμαντέρ με παραγωγό το θεατή. Το DEBTOCRACY αναζητά τα αίτια της κρίσης χρέους και προτείνει λύσεις που αποκρύπτονται από την κυβέρνηση και τα κυρίαρχα μέσα ενημέρωσης. Το ντοκιμαντέρ θα διανέμεται δωρεάν από τα τέλη Μαρτίου χωρίς δικαιώματα χρήσης και αναμετάδοσης και θα υποτιτλιστεί σε τουλάχιστον τρεις γλώσσες.

Ο Αρης Χατζηστεφάνου και η Κατερίνα Κιτίδη μιλούν με οικονομολόγους, δημοσιογράφους και προσωπικότητες από όλο τον κόσμο περιγράφοντας τα βήματα που οδήγησαν την Ελλάδα στην παγίδα του χρέους- τη χρεοκρατία. Το DEBTOCRACY παρακολουθεί την πορεία χωρών όπως ο Ισημερινός, που δημιούργησαν Επιτροπές Λογιστικού Ελέγχου αλλά και την αντίστοιχη προσπάθεια που ξεκίνησε στην Ελλάδα.

Στο Debtocracy μιλούν, μεταξύ άλλων, οι ακαδημαϊκοί Ντέιβιντ Χάρβεϊ, Σαμίρ Αμίν, Κώστας Λαπαβίτσας και Ζεράρ Ντιμενίλ, ο φιλόσοφος Αλέν Μπαντιού, ο επικεφαλής της επιτροπής λογιστικού ελέγχου του Ισημερινού Ούγκο Αρίας, ο πρόεδρος του CADTM Ερίκ Τουσέν, ο Αργεντίνος σκηνοθέτης Φερνάντο Σολάνας, δημοσιογράφοι όπως o Άβι Λιούις (συγγραφέας/σκηνοθέτης του ντοκιμαντέρ The Take – Η κατάληψη) και ο Ζαν Κατρμέρ (Liberation). Ακόμη προσωπικότητες όπως ο Μανώλης Γλέζος και η αντιπρόεδρος του γερμανικού κόμματος Die Linke Ζάρα Βάγκενκνεχτ.

Τη μουσική επένδυση προσφέρει ο Γιάννης Αγγελάκας και επιστημονική επιμέλεια έχει ο δημοσιογράφος και οικονομολόγος Λεωνίδας Βατικιώτης.

Την παραγωγή του DEBTOCRACY ανέλαβε η εταιρεία BitsnBytes. Το μοντάζ υπογράφει ο Άρης Τριανταφύλλου.

Σε αυτή την προσπάθειά ζητάμε τη βοήθειά σου. Οι δημιουργοί του DEBTOCRACY εργάστηκαν αφιλοκερδώς αλλά τα έξοδα ανέρχονται ήδη σε χιλιάδες ευρώ. Προκειμένου να αποφύγουμε κάθε είδους εξαρτήσεις απευθυνόμαστε σε συνδικάτα και εργατικές ενώσεις. Κυρίως όμως απευθυνόμαστε σε πολίτες που θέλουν να γίνουν συμπαραγωγοί. Ενίσχυσε και εσύ την παραγωγή ενός ανεξάρτητου ντοκιμαντέρ, καταθέτοντας όσα χρήματα επιθυμείς μέσω Paypal ή σε τραπεζικό λογαριασμό. Όσοι το επιθυμούν θα αναφέρονται ως συμπαραγωγοί.


O Αρης Χατζηστεφάνου είναι δημιουργός της εκπομπής Infowar στο Ρ/Σ Σκάι και αρχισυντάκτης του Thepressproject.gr

H Κατερίνα Κιτίδη είναι αρχισυντάκτρια του tvxs.gr και του τηλεοπτικού Infowar.

Διαβάστε και μια ενδιαφέρουσα συνέντευξη του Άρη Χατζηστεφάνου εδώ.

Δευτέρα 28 Μαρτίου 2011

Rabbit-Proof Fence

Είδος: Ταινία
Γλώσσα: English, Aboriginal
Υπότιτλοι: English
Χρονολογία: 2002, Australia
Σκηνοθεσία: Phillip Noyce

Διάρκεια: 94'


A Scathing Attack on Racism, 2 December 2002
Author: Howard Schumann from Vancouver, B.C.

"And miles to go before I sleep/ And miles to go before I sleep"
- Robert Frost

Set in Western Australia in 1931, Rabbit-Proof Fence, a new film by Australian director Philip Noyce (The Quiet American, Clear and Present Danger), is a scathing attack on the Australian government's "eugenics" policy toward Aboriginal half-castes. Continuing policies begun by the British, the white government in Australia for six decades forcibly removed all half-caste Aborigines from their families "for their own good" and sent them to government camps where they were raised as servants, converted to Christianity, and eventually assimilated into white society.

Based on the 1996 book, "Follow the Rabbit-Proof Fence" by Doris Pilkington Garimara (Molly Kelly's daughter), the film tells the story of three Aboriginal girls, 14-year old Molly Kelley, her 8-year old sister Daisy, and their 10-year old cousin Gracie. It shows their escape from confinement in a government camp for half-castes and their return home across the vast and lonely Australian Outback. It is a simple story of indomitable courage, told with honest emotion. Abducted by police in 1931 from their families at Jigalong, an Aboriginal settlement on the edge of the Little Sandy Desert in northwest Australia, the three girls are sent to the Moore River Native Settlement near Perth. Here the children must endure wretched conditions. Herded into mass dormitories, they are not allowed to speak their native language, are subject to strict discipline, and, if they break the rules, are put into solitary confinement for 14 days.

Followed by the Aborigine tracker, Moodoo (a great performance from David Gulpilil), the girls make their escape. Using a "rabbit-proof fence" as a navigation tool, they walk 1500 miles across the parched Outback to return to Jigalong. The rabbit-proof fence was a strip of barbed-wire netting that cut across half of the continent and was designed to protect farmer's crops by keeping the rabbits away. The girls walked for months on end often without food or drink, not always sure of the direction they are going, using all their ingenuity and intelligence along the way just to survive. The stunning Australian landscape is magnificently photographed by Christopher Doyle, and a haunting score by Peter Gabriel translates natural sounds of birds, animals, wind and rain into music that adds a mystical feeling to the journey.

The performances by amateur actors Evelyn Sampi, Tianna Sansbury, and Laura Monaghan (who had never seen a film before let alone acted in one) are authentic and heartbreakingly affecting. Though the white officials and police are characterized as smug and unfeeling, they are more like bureaucrats carrying out official policies than true villains. Kenneth Branagh gives a strong but restrained performance as Mr. Neville, the minister in charge of half-castes. Rabbit-Proof Fence is an honest film that avoids sentimentality and lets the courage and natural wisdom of the girls shine through. This is one of the best films I've seen this year and has struck a responsive chord in Australia and all over the world. Hopefully, it will become a vehicle for reconciliation, so that the shame of the "Stolen Generation" can at last be held to account.




Σάββατο 5 Μαρτίου 2011

The Man From Earth

Είδος: Ταινία
Γλώσσα: English
Υπότιτλοι: Ελληνικά
Χρονολογία: 2007, US
Σκηνοθεσία: Richard Schenkman

Διάρκεια: 87'


http://www.imdb.com/title/tt0756683/
A minimalist sci-fi drama.
Author: duggam from Boston, MA


*** This review may contain spoilers ***

I saw this movie when it premiered at the Rhode Island International film festival. It was the main attraction of a sci-fi block that I went to without any knowledge of what the file was about, save the IMDb plot summary. What I saw was much different than what I expected, and I must say that I was pleasantly surprised.

The film starts very simply with the main character John packing his truck, and then joined by colleagues of his who have come to wish him farewell. His colleagues, however, cannot help but express how puzzled they are about him leaving, since he has established himself very well as a professor and is well liked. Each time he is asked, John either avoids the question or gives an evasive answer. He eventually responds to them by posing a hypothetical question to the group (which by now have been established as Ph.D.s in fields including anthropology, biology, and history) about what a man would be like if he had lived since prehistoric times and had the appearance of the same age for sixteen-thousand years. This question starts an innocent discussion, but changes in tone as John implies more and more that the situation is not hypothetical. The group all have diverse reactions that become more intense as they pose questions to John regarding the story he has put forth.

One of the producers who was in attendance described the film as a science fiction Twelve Angry Men, and I found that statement to be very apropos. The focus of the story was the interaction of the people in the situation, rather than the situation itself. You will find that as an audience member you are put in a similar position as John's colleagues in thinking about the logistical aspects of living for such a long time and what you would say if a friend came to you with the same story. The writer, the late Jerome Bixby, did this well by presenting people that could analyze the finer points of the hypothetical situation by being experts in many relevant fields. I highly recommend this film if you enjoy the more human side of science fiction, or if you like pondering what-ifs.

Update: 
Due to "technical" reasons
torrent
Ελληνικοί Υπότιτλοι


















Πέμπτη 10 Φεβρουαρίου 2011

Gran Torino


Είδος: Ταινία
Γλώσσα: English
Υπότιτλοι: -
Χρονολογία: 2008, US
Σκηνοθεσία: Clint Eastwood

Διάρκεια: 116'


http://www.imdb.com/title/tt1205489/






Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy an old man, who can't get along with either his kids or his neighbors, a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood. Written by alfiehitchie  




Σάββατο 22 Ιανουαρίου 2011

The See that Thinks

Είδος: Ταινία
Γλώσσα: Nederlands
Υπότιτλοι: English subtitles
Χρονολογία: 2000, ΝL
Σκηνοθεσία: Gert de Graaff

Διάρκεια: 98'









Incredible optical illusions in a story in a story in a story helps the surprised viewer finally to find out that he has been watching himself all along.

The Sea That Thinks is a surprising film about itself. A film overflowing with twists and turns and new angles. It focuses on Bart, a scriptwriter who is writing the script for this film. In the film, Bart himself plays the scriptwriter writing the script of The Sea That Thinks. He types what he does and does what he types. In his film, he finds the answer to the urgent question: How do we find happiness? He uses stunning examples to show us that our world is only to be found in our consciousness. What is real and what is illusion? Do we believe in our dream world while we dream? Do we believe in the reality of film while we see it? And why? His combination of pictures and text has a hypnotic effect on the viewer. It provides an exciting, dislocating and humorous adventure. Later it also becomes apparent that the film is not about this tormented scriptwriter at all. In a game filled with optical illusions and continually changing points of view, the surprised viewers gradually find out they are looking at themselves: How do I observe? What do I assume to be true? What do I think I see? What do I think I am? The viewer turns out to bear a striking similarity to the Sea that thinks it's a Tree. (Gert de Graaff)



This stylistically sophisticated visual game presents ‘a story within a story'. The protagonist is scriptwriter Bart Klever who fights persistently with his new text – which is, at the same time, the screenplay of the film we're watching. In the movie Bart plays a scriptwriter writing the script of the film… Bart's struggle with the text becomes a narrative theme, as does the environment of the flat where he works and takes care of his little girl. The intimate environment offers ample opportunity for games of illusion involving space, light, colours and a couple of cats. The outwardly simple world of the room is further complicated by the unstable dimensions of a text continually influenced by the film-maker's interventions, which appears on a computer monitor and serves as a counterpoint to the similarity mutable environment. The constantly changing viewing angle complicates answers to questions which arise: What is ‘truth' and what ‘illusion' ? Which of the observed worlds is primary and superior to the rest? Can anything serve as a basic orientation point in the narrative space? (IMDB comment)


The Sea That Thinks - Winner of the following awards:     *     Joris Ivens Award - IDFA Amsterdam (the Netherlands)     *     Golden Key Award for Best Cinematography - Art Film Festival, Trenclanske Teplice (Slovakia)     *     Special F.I.C.C. Jury Award - Art Film Festival, Trenclanske Teplice (Slovakia)     *     Experimental Feature - DIFF Award, Dahlonega International Film Festival (U.S.A.)     *     Grand Prix best experimental feature  - Rhode Island International Film Festival (U.S.A.)     *     Best First Feature Film Award - Wine Country International Film Festival (U.S.A.)     *     Oscar-nomination of the European Film Academy   

PS. In order to watch the film without 'loading pauses' press start and then pause. Wait until enough minutes are already loaded (visible within the duration line). 
ΥΓ. Για να δείτε ολόκληρη την ταινία χωρίς διακοπές πατήστε την έναρξη και μετά παύση. Περιμένετε ωσότου αρκετά λεπτά της ταινίας έχουν φορτωθεί (ορατό στη γραμμή διάρκειας της ταινίας).




http://www.tudou.com/programs/view/xp4awZ-RuCI/


I would suggest to all the viewers that have enjoyed this film to look the information - interview of the director in the following page: http://www.dezeediedenkt.nl/ (in English or Dutch)

Επίσης ένα άρθρο βασισμένο στα σχόλια του σκηνοθέτη μπορείτε να διαβάσετε εδώ: http://sobaresapopseis.blogspot.com/2011/01/blog-post.html

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